{"id":31266,"date":"2023-01-05T15:33:51","date_gmt":"2023-01-05T07:33:51","guid":{"rendered":"https:\/\/www.hkmu.edu.hk\/as\/?page_id=31266"},"modified":"2023-01-06T12:44:50","modified_gmt":"2023-01-06T04:44:50","slug":"keynote-speakers","status":"publish","type":"page","link":"https:\/\/www-uat.hkmu.edu.hk\/as\/sc\/research\/ridch\/keynote-speakers\/","title":{"rendered":"\u4e3b\u8bb2\u5609\u5bbe"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"31266\" class=\"elementor elementor-31266 elementor-31265\" data-elementor-settings=\"[]\">\n\t\t\t\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t<section class=\"wavo-column-gap-default elementor-section elementor-top-section elementor-element elementor-element-387d76f1 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"387d76f1\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-6fffb74f\" data-id=\"6fffb74f\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-6776d985 elementor-widget elementor-widget-text-editor\" data-id=\"6776d985\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<table width=\"100%\">\n<tbody>\n<tr>\n<td>\n<table>\n<tbody>\n<tr>\n<td width=\"176\"><img decoding=\"async\" src=\"https:\/\/sam.arts.unsw.edu.au\/media\/SAMImage\/cache\/Cc138170-img_6448.jpg\" alt=\"\" \/><\/td>\n<td width=\"532\"><strong>Jonathan Bollen <\/strong><strong>\u535a\u58eb<\/strong>\n\nJonathan Bollen\u00a0\u535a\u58eb\u81f4\u529b\u4e8e\u7814\u7a76\u6fb3\u6d321946\u81f31975\u5e74\u7684\u5a31\u4e50\u53f2\uff0c\u8ffd\u89c5\u4e00\u4f17\u6f14\u827a\u4eba\u5728\u5267\u573a\u3001\u7535\u89c6\u3001\u591c\u5e97\u4e4b\u95f4\u7684\u8e2a\u8ff9\uff0c\u4ee5\u53ca\u5206\u6790\u5176\u6f14\u51fa\u7684\u9057\u8bc1\u3002\u4ed6\u7684\u7814\u7a76\u4e3b\u5728\u5256\u91ca\u5f53\u5e74\u6f14\u827a\u624b\u6cd5\u7684\u8f6c\u53d8\uff0c\u4f8b\u5982\u6f14\u827a\u4eba\u4e3a\u878d\u5165\u7535\u89c6\u3001\u56fd\u9645\u5de1\u6f14\u6240\u4f5c\u7684\u5404\u79cd\u5c1d\u8bd5\uff1b\u540c\u65f6\u4ea6\u63ed\u793a\u6f14\u827a\u4eba\u4e9a\u3001\u6fb3\u4e24\u6d32\u7684\u884c\u52a8\u4e0e\u6fb3\u6d32\u5f53\u5c40\u7684\u63a8\u5e7f\u6f14\u827a\u3001\u6587\u5316\u591a\u5143\u653f\u7b56\u4e4b\u95f4\u7684\u5173\u7cfb\u3002\u6b64\u5916\uff0c\u4ed6\u5728\u6fb3\u6d32\u620f\u5267\u65b9\u9762\u4ea6\u6709\u8bba\u8ff0\uff0c\u63a2\u8ba8\u5f53\u5730\u81ea\u4e0a\u4e16\u7eaa50\u5e74\u4ee3\u4ee5\u6765\u7684\u5267\u7801\u521b\u4f5c\u3002\u5728\u5176\u535a\u58eb\u8bba\u6587\u4e2d\uff0c\u4ed6\u6d89\u730e\u8bb8\u591a\u5267\u672c\u6587\u732e\u3001\u620f\u5267\u8bc4\u8bba\u548c\u5236\u4f5c\u7eaa\u5f55\u4ee5\u7406\u89e3\u65b0\u8bdd\u5267\u5236\u4f5c\u5982\u4f55\u6539\u53d8\u6fb3\u6d32\u6587\u5316\u3002\u4ed6\u66fe\u63a8\u51fa\u5408\u7740\u00a0<em>Men at Play: Masculinities in Australian Theatre since the 1950s<\/em>,\u00a0<em>published in Rodopi&#8217;s Australian Playwrights series<\/em>\u3002\u540c\u65f6\u4ed6\u4ea6\u5bf9\u6570\u7801\u4eba\u6587\u5b66\u79d1\u4ea6\u6709\u4e30\u5bcc\u77e5\u8bc6\u7ecf\u9a8c\uff0c\u4e3a\u620f\u5267\u7814\u7a76\u65b9\u6cd5\u7684\u521b\u4f5c\u505a\u51fa\u8d21\u732e\u3002 <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table>\n<tbody>\n<tr>\n<td width=\"176\"><img decoding=\"async\" src=\"http:\/\/wisc-amh.org\/uploads\/people\/current-jean-grow-june-2015-e669e6855a-image_detail.jpg\" alt=\"\" \/><\/td>\n<td width=\"532\"><strong>Jean Grow <\/strong><strong>\u6559\u6388<\/strong>\n\n<strong>\u00a0 \u00a0 \u00a0 \u00a0<\/strong>\n\nJean Grow \u6559\u6388\u4efb\u804c\u4e8e\u7f8e\u56fd\u9a6c\u51ef\u7279\u5927\u5b66\u7684\u8fea\u5fb7\u91cc\u5947\u4f20\u64ad\u5b66\u9662(Diederich College of Communication)\uff0c\u4e3b\u6559\u6218\u7565\u6c9f\u901a\u5b66\uff0c\u62c5\u4efb\u8be5\u6821\u7f8e\u672f\u79d1\u8bfe\u7a0b\u4e3b\u4efb\u53ca\u591a\u5143\u878d\u5408\u90e8\u6210\u5458\u3002\u5979\u4e8e\u5e7f\u544a\u54a8\u8be2\u65b9\u9762\u5177\u6709\u4e30\u5bcc\u7ecf\u9a8c\uff0c\u81ea1994\u5e74\u8d77\u5df2\u5728\u7ecf\u8425\u7ebf\u4e0a\u5a92\u4f53\u5982Grow\u00a0Cultural Geogrpahy\u3002\u5176\u7814\u7a76\u5174\u8da3\u5305\u62ec\u5e7f\u544a\u6027\u522b\u7814\u7a76\u3001\u7b26\u53f7\u5b66\u3001\u6c11\u65cf\u5fd7\u5b66\u7b49\u7b49\u3002\u5728\u51fa\u7248\u65b9\u9762\uff0c\u5979\u4ea6\u66fe\u53d1\u8868\u591a\u7bc7\u8bba\u6587\u53ca\u4e66\u7ae0\uff0c\u7740\u6709\u00a0<em>Advertising Creative: Strategy, Copy &amp; Design\u00a0<\/em>\u4e00\u4e66\u3002 <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table>\n<tbody>\n<tr>\n<td width=\"184\">\u00a0 <img decoding=\"async\" src=\"http:\/\/www.hf.uio.no\/is\/english\/people\/aca\/frodhel\/frodhel.jpg\" alt=\"\" \/><\/td>\n<td width=\"524\"><strong>Frode Helland<\/strong><strong>\u6559\u6388<\/strong>\n\n<strong>\u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong>\n\nFrode Helland\u662f\u632a\u5a01\u6fb3\u65af\u9646\u5927\u5b66\u6613\u535c\u751f\u7814\u7a76\u4e2d\u5fc3\u7684\u5bfc\u5e08\u4e3b\u4efb\uff0c\u4e3b\u6559\u6587\u5b66\u3002\u5176\u8d1f\u8d23\u56fd\u9645\u7814\u7a76\u9879\u76ee\u5982\u300c\u6587\u5316\u4e4b\u95f4\u7684\u6613\u535c\u751f\u300d\u3001\u300c\u6613\u535c\u751f\u6587\u5b66\u5e94\u7528\u300d\u7b49\u3002\u540c\u65f6\u4ed6\u4ea6\u5bf9\u6613\u535c\u751f\u3001\u65af\u582a\u5730\u90a3\u7ef4\u4e9a\u6587\u5b66\u548c\u6613\u535c\u751f\u7684\u73af\u7403\u8868\u6f14\u7b49\u4e3b\u9898\u591a\u6709\u8bba\u8ff0\uff0c\u8fd1\u7740\u5305\u62ec\u00a0<em>Ibsen in Practice: Relational Readings of Performance, Cultural Encounters and Power<\/em>\u00a0(2015);\u00a0<em>Ibsen Across Cultures\u00a0<\/em>(\u4e0e\u4e2d\u56fd\u590d\u65e6\u5927\u5b66\u5b59\u54f2\u6559\u6388\u4e8e2012\u5e74\u5408\u7f16) \u4ee5\u53ca<em>\u00a0Ibsen and the Modern Self<\/em>, (\u4e0e\u9999\u6e2f\u516c\u5f00\u5927\u5b66\u8c2d\u56fd\u6839\u6559\u6388\u548c Terry Siu-han Yip\u4e8e2010\u5e74\u5408\u7f16).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table>\n<tbody>\n<tr>\n<td width=\"186\"><img decoding=\"async\" src=\"https:\/\/encrypted-tbn1.gstatic.com\/images?q=tbn:ANd9GcQPLdfeUYoEEhBL8mwIKSyUOMYU3BNX27BlDKuka2oMTny6ypdX\" alt=\"c\" \/><\/td>\n<td width=\"522\"><strong>Julie Holledge<\/strong><strong>\u6559\u6388<\/strong>\n\nJulie Holledge\u6559\u6388\u662f\u6fb3\u6d32\u798f\u6797\u5fb7\u65af\u5927\u5b66\u620f\u5267\u7814\u7a76\u7684\u8363\u8a89\u9000\u4f11\u6559\u6388\uff0c\u5176\u7814\u7a76\u4e13\u957f\u5728\u4e8e\u6027\u522b\u7814\u7a76\u3001\u8de8\u6587\u5316\u620f\u5267\u8868\u6f14\u3001\u6f14\u620f\u53ca\u5bfc\u6f14\u3002\u5979\u66fe\u64b0\u5199\u4e09\u672c\u5b66\u672f\u8457\u4f5c\u3001\u7f16\u8f91\u56db\u672c\u4e66\u7c4d\u53ca\u53d1\u8868\u591a\u7bc7\u8bba\u4f5c\u3002\u53e6\u5916, \u5176\u4ea6\u66fe\u4e8e\u82f1\u56fd\u3001\u6fb3\u6d32\u7b49\u5730\u6307\u5bfc\u4e8c\u5341\u4e8c\u6b21\u4e13\u4e1a\u5267\u573a\u3002\u6fb3\u6d32\u7814\u7a76\u5c40(ARC)\u3001\u82f1\u6fb3\u827a\u672f\u534f\u4f1a(Australian and British Councils for the Arts)\u53ca\u6765\u81ea\u632a\u5a01\u3001\u97e9\u56fd\u3001\u65e5\u672c\u7b49\u5730\u4e4b\u5b66\u672f\u8d44\u52a9\u5747\u652f\u6301\u5176\u7814\u7a76\u3002\u9664\u5b66\u672f\u7406\u8bba\u8d21\u732e\u5916, \u5979\u4ea6\u62c5\u4efb\u6fb3\u6d32\u821e\u53f0\u6570\u636e\u5e93(AusStage)\u4e4b\u8d1f\u8d23\u4eba, \u8d1f\u8d23\u5904\u7406\u6fb3\u6d32\u5728\u821e\u53f0\u6f14\u827a\u7684\u5404\u9879\u8d44\u6599\u3002\u5728\u6559\u5b66\u65b9\u9762, \u5176\u8868\u73b0\u4ea6\u5907\u53d7\u80af\u5b9a, \u662f\u6fb3\u6d32\u5361\u57df\u5927\u5b66\u6559\u5b66\u5956(Carrick Award)\u5f97\u4e3b\u3002\u867d\u73b0\u5df2\u9000\u4f11\uff0c\u4f46\u5979\u4ecd\u7ee7\u7eed\u53c2\u4e0e\u4e0d\u540c\u7684\u56fd\u9645\u6027\u7814\u7a76\u6d3b\u52a8\u3002 <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table>\n<tbody>\n<tr>\n<td width=\"200\"><img decoding=\"async\" src=\"https:\/\/0.academia-photos.com\/19139138\/5327631\/6085696\/s200_joanne.tompkins.jpg\" alt=\"\" \/><\/td>\n<td width=\"508\"><strong>Joanne Tompkins<\/strong>\u00a0<strong>\u6559\u6388<\/strong>\n\nJoanne Tompkins \u6559\u6388\u73b0\u4efb\u804c\u4e8e\u6fb3\u6d32\u6606\u58eb\u5170\u5927\u5b66\uff0c\u62c5\u4efb\u8be5\u6821\u4eba\u6587\u793e\u4f1a\u79d1\u5b66\u9662\u7814\u7a76\u90e8\u526f\u9662\u957f\u3002\u5176\u7814\u7a76\u9886\u57df\u5305\u62ec\u7a7a\u95f4\u7406\u8bba\u3001\u865a\u62df\u73b0\u5b9e\u548c\u620f\u5267\u4e2d\u7684\u540e\u6b96\u6c11\u3001\u8de8\u6587\u5316\u7406\u8bba\u7b49\uff0c\u6210\u7ee9\u5907\u53d7\u80af\u5b9a\uff0c\u66fe\u83b7\u4f26\u6566\u739b\u8389\u7687\u540e\u5927\u5b66\u6388\u4e88\u8363\u8a89\u535a\u58eb\u5b66\u4f4d\u3002\u9664\u6559\u5b66\u7814\u7a76\uff0c\u5979\u4ea6\u79ef\u6781\u53c2\u4e0e\u5b66\u754c\u63a8\u5e7f\u53ca\u521b\u65b0\u5de5\u4f5c\uff0c\u5305\u62ec\u62c5\u4efb\u5b66\u754c\u671f\u520a\u00a0<em>Theatre Journal\u00a0<\/em>\u7684\u7f16\u8f91\u3001\u534f\u52a9\u521b\u7acb\u6fb3\u6d32\u821e\u53f0\u8d44\u6599\u5e93(AusStage)\u3001\u5f00\u53d1\u521b\u65b0\u7814\u7a76\u79d1\u6280\u5982Ortelia (\u4e00\u79cd\u900f\u8fc7\u865a\u62df\u73b0\u5b9e\u5206\u6790\u620f\u5267\u548c\u5267\u573a\u7a7a\u95f4\u7684\u7814\u7a76\u5de5\u5177)\u3002 <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table>\n<tbody>\n<tr>\n<td width=\"204\"><img decoding=\"async\" src=\"http:\/\/www-uat.hkmu.edu.hk\/2019\/rihcd_mirgate\/rihcdconf2017\/MichaelKeane.jfif\" alt=\"\" \/><\/td>\n<td width=\"504\"><strong>Michael Keane\u00a0<\/strong><strong>\u6559\u6388<\/strong>\n\nMichael Keane \u6559\u6388\u662f\u6fb3\u6d32\u79d1\u5ef7\u5927\u5b66\u4e2d\u56fd\u5a92\u4f53\u4e0e\u6587\u5316\u7814\u7a76\u7684\u6559\u6388\uff0c\u4ea6\u662f\u5176\u5927\u5b66\u6570\u7801\u4e2d\u56fd\u5b9e\u9a8c\u5ba4\u7684\u4e3b\u4efb\u3002\u4ed6\u4e00\u5171\u5199\u4e86\u548c\u7f16\u8f91\u4e8615\u672c\u6709\u5173\u4e2d\u56fd\u5a92\u4f53\u7684\u4e66\u672c\uff0c\u5f53\u4e2d\u5305\u62ec\u4ed6\u6700\u8fd1\u7684\u8457\u4f5c:\u00a0<em>The Chinese Television Industry<\/em>\u00a0(BFI Palgrave June 2015)\u3002\u4ed6\u73b0\u5728\u6b63\u51c6\u5907\u51fa\u7248\u65b0\u4e66<em>The Handbook of China&#8217;s Cultural and Creative Industries\u00a0<\/em>(30 chapters: Edward Elgar Publishing 2016)\u3002\u5728\u6fb3\u6d32\u6606\u58eb\u5170\u79d1\u6280\u5927\u5b66 Australian Research Council Centre of Excellence for Creative Industries and Innovation\u4f5cARC Fellow\u65f6\uff0cMichael Keane \u6559\u6388\u5728\u5168\u7403\u9996\u95f4\u521b\u610f\u5de5\u4e1a\u5b66\u9662\u62c5\u4efb\u7814\u7a76\u751f\u7684\u4e13\u4e1a\u5b66\u672f\u987e\u95ee\u3002\n\n<a href=\"http:\/\/www.curtin.edu.au\/research\/ccat\/people\/index.cfm\/M.Keane\">http:\/\/www.curtin.edu.au\/research\/ccat\/people\/index.cfm\/M.Keane<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table>\n<tbody>\n<tr>\n<td width=\"204\"><img decoding=\"async\" src=\"http:\/\/www.coventry.ac.uk\/Global\/08%20New%20Research%20Section\/Researchers\/Art,%20Design,%20Media%20and%20Performance\/IMG_3310-2.png\" alt=\"\" \/><\/td>\n<td width=\"532\"><strong>Sarah Whatley<\/strong><strong>\u6559\u6388<\/strong>\n\nSarah Whatley\u6559\u6388\u7684\u7814\u7a76\u91cd\u5fc3\u5728\u4e8e\u65b0\u79d1\u6280\u4e0e\u821e\u8e48\u7684\u4ea4\u96c6\u3001\u821e\u8e48\u8bc4\u9274\u3001\u821e\u8e48\u8eab\u5fc3\u5b66\u3001\u6559\u80b2\u5b66\u53ca\u5171\u878d\u821e\u8e48\u3002 The AHRC, the Leverhulme Trust,\u00a0Wellcome Trust,\u53cathe European Union \u5747\u6709\u8d44\u52a9\u5176\u65b0\u8fd1\u5173\u6ce8\u6570\u7801\u79d1\u6280\u5bf9\u6587\u5316\u4f20\u627f\u7684\u7814\u7a76\u3002\u540c\u65f6\u5979\u4ea6\u9886\u5bfc\u7531 AHRC\u652f\u6301\u7684 Siobhan Davies digital archive project, RePlay \u800c\u4e14\u4e0e\u00a0Davies \u4e8e\u5176\u4ed6\u827a\u672f\u5bb6\u4e3b\u5bfc\u7684\u7814\u7a76\u9879\u76ee\u591a\u6709\u5408\u4f5c\u3002\u518d\u8005\u5979\u4ea6\u662f The Journal of Dance and Somatic Practices \u7684\u521b\u520a\u4e3b\u7f16\u5e76\u62c5\u4efb\u5176\u4ed6\u591a\u4e2a\u671f\u520a\u7684\u7f16\u5ba1\u59d4\u5458\u4f1a\u3002 Sarah \u4ea6\u975e\u5e38\u652f\u6301 the Routledge Performance Archive \u7684\u6301\u7eed\u53d1\u5c55, \u8eab\u4f53\u529b\u884c\u62c5\u4efb\u5b66\u672f\u987e\u95ee\u3002\u6b64\u5916, \u5979\u4ea6\u662f the 2014 REF exercise (Panel D35) \u7684\u8bc4\u5ba1\u548c the AHRC Peer Review College\u7684\u6210\u5458\u3002 <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Jonathan Bollen \u535a\u58eb Jonathan Bollen\u00a0\u535a\u58eb\u81f4\u529b\u4e8e\u7814\u7a76\u6fb3\u6d321946\u81f31975\u5e74\u7684\u5a31\u4e50\u53f2\uff0c\u8ffd\u89c5\u4e00\u4f17\u6f14\u827a\u4eba\u5728\u5267\u573a\u3001\u7535\u89c6\u3001\u591c\u5e97\u4e4b\u95f4\u7684\u8e2a\u8ff9\uff0c\u4ee5\u53ca\u5206\u6790\u5176\u6f14\u51fa\u7684\u9057\u8bc1\u3002\u4ed6\u7684\u7814\u7a76\u4e3b\u5728\u5256\u91ca\u5f53\u5e74\u6f14\u827a\u624b\u6cd5\u7684\u8f6c\u53d8\uff0c\u4f8b\u5982\u6f14\u827a\u4eba\u4e3a\u878d\u5165\u7535\u89c6\u3001\u56fd\u9645\u5de1\u6f14\u6240\u4f5c\u7684\u5404\u79cd\u5c1d\u8bd5\uff1b\u540c\u65f6\u4ea6\u63ed\u793a\u6f14\u827a\u4eba\u4e9a\u3001\u6fb3\u4e24\u6d32\u7684\u884c\u52a8\u4e0e\u6fb3\u6d32\u5f53\u5c40\u7684\u63a8\u5e7f\u6f14\u827a\u3001\u6587\u5316\u591a\u5143\u653f\u7b56\u4e4b\u95f4\u7684\u5173\u7cfb\u3002\u6b64\u5916\uff0c\u4ed6\u5728\u6fb3\u6d32\u620f\u5267\u65b9\u9762\u4ea6\u6709\u8bba\u8ff0\uff0c\u63a2\u8ba8\u5f53\u5730\u81ea\u4e0a\u4e16\u7eaa50\u5e74\u4ee3\u4ee5\u6765\u7684\u5267\u7801\u521b\u4f5c\u3002\u5728\u5176\u535a\u58eb\u8bba\u6587\u4e2d\uff0c\u4ed6\u6d89\u730e\u8bb8\u591a\u5267\u672c\u6587\u732e\u3001\u620f\u5267\u8bc4\u8bba\u548c\u5236\u4f5c\u7eaa\u5f55\u4ee5\u7406\u89e3\u65b0\u8bdd\u5267\u5236\u4f5c\u5982\u4f55\u6539\u53d8\u6fb3\u6d32\u6587\u5316\u3002\u4ed6\u66fe\u63a8\u51fa\u5408\u7740\u00a0Men at Play: Masculinities in Australian Theatre since the 1950s,\u00a0published in Rodopi's Australian Playwrights series\u3002\u540c\u65f6\u4ed6\u4ea6\u5bf9\u6570\u7801\u4eba\u6587\u5b66\u79d1\u4ea6\u6709\u4e30\u5bcc\u77e5\u8bc6\u7ecf\u9a8c\uff0c\u4e3a\u620f\u5267\u7814\u7a76\u65b9\u6cd5\u7684\u521b\u4f5c\u505a\u51fa\u8d21\u732e\u3002 Jean Grow \u6559\u6388 \u00a0 \u00a0 \u00a0 \u00a0 Jean Grow \u6559\u6388\u4efb\u804c\u4e8e\u7f8e\u56fd\u9a6c\u51ef\u7279\u5927\u5b66\u7684\u8fea\u5fb7\u91cc\u5947\u4f20\u64ad\u5b66\u9662(Diederich College of Communication)\uff0c\u4e3b\u6559\u6218\u7565\u6c9f\u901a\u5b66\uff0c\u62c5\u4efb\u8be5\u6821\u7f8e\u672f\u79d1\u8bfe\u7a0b\u4e3b\u4efb\u53ca\u591a\u5143\u878d\u5408\u90e8\u6210\u5458\u3002\u5979\u4e8e\u5e7f\u544a\u54a8\u8be2\u65b9\u9762\u5177\u6709\u4e30\u5bcc\u7ecf\u9a8c\uff0c\u81ea1994\u5e74\u8d77\u5df2\u5728\u7ecf\u8425\u7ebf\u4e0a\u5a92\u4f53\u5982Grow\u00a0Cultural Geogrpahy\u3002\u5176\u7814\u7a76\u5174\u8da3\u5305\u62ec\u5e7f\u544a\u6027\u522b\u7814\u7a76\u3001\u7b26\u53f7\u5b66\u3001\u6c11\u65cf\u5fd7\u5b66\u7b49\u7b49\u3002\u5728\u51fa\u7248\u65b9\u9762\uff0c\u5979\u4ea6\u66fe\u53d1\u8868\u591a\u7bc7\u8bba\u6587\u53ca\u4e66\u7ae0\uff0c\u7740\u6709\u00a0Advertising Creative: Strategy, Copy &amp; Design\u00a0\u4e00\u4e66\u3002 \u00a0 Frode Helland\u6559\u6388 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 Frode Helland\u662f\u632a\u5a01\u6fb3\u65af\u9646\u5927\u5b66\u6613\u535c\u751f\u7814\u7a76\u4e2d\u5fc3\u7684\u5bfc\u5e08\u4e3b\u4efb\uff0c\u4e3b\u6559\u6587\u5b66\u3002\u5176\u8d1f\u8d23\u56fd\u9645\u7814\u7a76\u9879\u76ee\u5982\u300c\u6587\u5316\u4e4b\u95f4\u7684\u6613\u535c\u751f\u300d\u3001\u300c\u6613\u535c\u751f\u6587\u5b66\u5e94\u7528\u300d\u7b49\u3002\u540c\u65f6\u4ed6\u4ea6\u5bf9\u6613\u535c\u751f\u3001\u65af\u582a\u5730\u90a3\u7ef4\u4e9a\u6587\u5b66\u548c\u6613\u535c\u751f\u7684\u73af\u7403\u8868\u6f14\u7b49\u4e3b\u9898\u591a\u6709\u8bba\u8ff0\uff0c\u8fd1\u7740\u5305\u62ec\u00a0Ibsen in Practice: Relational Readings of Performance, Cultural Encounters...<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":429,"menu_order":10,"comment_status":"closed","ping_status":"closed","template":"content_default_2.php","meta":{"_expiration-date-status":"","_expiration-date":0,"_expiration-date-type":"","_expiration-date-categories":[],"_expiration-date-options":[]},"_links":{"self":[{"href":"https:\/\/www-uat.hkmu.edu.hk\/as\/sc\/wp-json\/wp\/v2\/pages\/31266"}],"collection":[{"href":"https:\/\/www-uat.hkmu.edu.hk\/as\/sc\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www-uat.hkmu.edu.hk\/as\/sc\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www-uat.hkmu.edu.hk\/as\/sc\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www-uat.hkmu.edu.hk\/as\/sc\/wp-json\/wp\/v2\/comments?post=31266"}],"version-history":[{"count":4,"href":"https:\/\/www-uat.hkmu.edu.hk\/as\/sc\/wp-json\/wp\/v2\/pages\/31266\/revisions"}],"predecessor-version":[{"id":32000,"href":"https:\/\/www-uat.hkmu.edu.hk\/as\/sc\/wp-json\/wp\/v2\/pages\/31266\/revisions\/32000"}],"up":[{"embeddable":true,"href":"https:\/\/www-uat.hkmu.edu.hk\/as\/sc\/wp-json\/wp\/v2\/pages\/429"}],"wp:attachment":[{"href":"https:\/\/www-uat.hkmu.edu.hk\/as\/sc\/wp-json\/wp\/v2\/media?parent=31266"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}